“A seismic steppers cut that detonates inside the echo chamber — bass you feel in your lungs before your ears catch it, tape delays like slow-moving electrical storms. SSLy Scout pushes Bristol’s dub tradition forward with authority and grace.” — RumorControl (9.1)
..."Unraveling," feels like a both a culmination and an evolution of all these past iterations of Muse, merging the synthwave ventures of their later years with the guitar-driven heaviness of their earlier repertoire.
Sounding something like "Moaning Lisa Smile" by way of Siouxsie and the Banshees, "Bloom Baby Bloom" delivers ferocity and reflection in equal measure.
... OB's exultations are put forward with an delicacy found in the most effervescent indie pop. The end result feels at once relaxed and celebratory: a perfect portmanteau of Afrobeat jubilation and Indie contemplation.
... "Animaru" contains multitudes, being on the one hand as unpredictable and wild as its namesake would imply, and on another a carefully sonic opus.
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"Emergence," like its creators, is difficult to sum up in simple terms.
"Like I Say (I runaway)" is the sort of song that one thinks they've might have heard a million times, when in fact they've never heard it at all, in the same way that genius feels obvious in hindsight.
"Roll The Credits" makes an absolute monster of a groove out of what, upon closer inspection, turns out to be relatively few elements. ...That said, the sum of these parts is positively colossal, bounding forward with an unimpeachably soulful stride.
"Schedule I," much like its parent album, is an unadulterated expression of Norman Sann's sharp, consistently refreshing approach to the rap game. Even when tackling topics as well-documented in the genre sphere as attraction or popularity, Sann never falters in wielding language like a saber, with a keen command of wordplay refined to an acute edge.
Receiving particular acclaim following the release of 2021's album Ignorance, The Weather Station has spent the intervening years refining a particular blend of indie, folk, and jazz, through to their newly released record Humanhood. "Mirror," the album's third track and most recent single, epitomizes that style, just as its accompanying video realizes it into a wider spectrum of the senses.
While one hopes in light of it's rediscovery that somewhere, somehow there might still be more great music waiting to be found, buried in the annals of time. That said, should this indeed be the last word of Wolfgang Amadeus Mozart to time immemorial, then its a fitting, if quiet, one - no great Requiem Mass or seminal Opera Buffa, just one last little treat from one of the most effortlessly luminous musical imaginations in recorded history.
