On "Reincarnated," past and present, characters and archetypes, author and invention all blend together from verse to verse and scene to scene, shifting into each other with the logic of a dream.
"You Got Me Searching " is a song deeply woven into the sort of well-worn blues-rock vestments that White dons like old leather. It's breakneck pace and high-octane delivery, however, dissuade any notions of recognition from devolving into disregard, and its vintage tendencies never hinder the track's raw energy from grabbing the listener by the metaphorical throat.
While the original "Love Insurrection" was in and of itself a trippy, funky feather in Primal Scream's cap, Black Science Orchestra's take is a welcome, nostalgic trip back to the sounds that brought both artists to the fore. More than that, it's also proof that regardless of disparities in time or genre, there's something irresistible at the core of Primal Scream's sound that is immediately and distinctly theirs from iteration to iteration.
Though frontman Robert Smith might protest easy categorization, The Cure are without a doubt one of the seminal gothic rock bands of all time. Pop-twinged and radio friendly hits like "Friday I'm in Love" or "Just Like Heaven" exist alongside the kind of haunting, angst-filled odes like "One Hundred Years" or "Lullaby" that helped define the goth rock phenomenon. "Alone," the legendary band's first new release in well over a decade and the lead single from their upcoming album Songs of a Lost World, sees the band return to that latter sort of peak brooding form after a considerable hiatus.
Earlier this week, Vancouver-based Indie darlings Peach Pit dropped their new track "Magpie" in advance of its eagerly anticipated, similarly titled parent album. Magpie's October 25th release will be the band's most recent since 2022's From 2 to 3, with this titular single being their first musical offering since that album's "Vicky." "Magpie" sees Peach Pit - who have previously characterized their music as "chewed bubblegum pop" - coloring their trademark aesthetics with layers of rich harmonic fuzz. No pun intended.
Stung!, like most of the band's repertoire, is an trippy blend of a myriad of musical elements, but "Neon City" is classic, raw Pond. One can hear in it everything that makes the group and its various sister-acts great.
"Josh Tillman and the Accidental Dose" is at it's core a classic-sounding chunk of tuneful, piano-and-guitar-driven melodicism, underscored by a colorful and ever-present orchestral accompaniment. The phrase "Beatlesque" immediately spills out to describe this particular union of elements, though "Accidental Dose" owes much, if not more, to later additions in that particular musical idiom the Fab Four helped to define. Tillman's soulful vocal is more Joe Cocker than McCartney, and song's almost playful arrangement recalls something that could be found on Nilsson Schmilsson as much as it does, say, "I Am The Walrus."
Within its five minute runtime, "Phantom Island" weaves an odyssey of sonic and sensory ecstasy around a vision of topical (and tropical) madness in a way that's immediately exciting, endlessly compelling, and, ultimately, highly listenable. King Gizzard haven proven once again that there is no aural territory on which they're unable to plant their own indelible mark, and that not even the might of a full orchestra can drown out a sound that's quintessentially Gizz.
From "Yellow" to "Viva La Vida" through to more recent chart toppers like "My Universe," Coldplay singles have been a near constant presence in the records of popular music. It's difficult, then, to imagine that chain finally breaking - and deliberately, at that. Nevertheless, lead singer Chris Martin alleges that the band's latest release, "ALL MY LOVE," is not only to be the final single to accompany their recent Moon Music LP, but also the last proper single of Coldplay's career.
Up-and-coming indie quartet Nicotine Dolls take their name from an epithet the band's members coined to describe a particular breed of anti-social partygoer who would rather retreat to outdoor solitude for a quick drag than endure a crowd, so it's a bit ironic that the band is perhaps best known in the public eye for similarly shunning the limelight.
Tantalizingly groovy, tastefully multi-cultural and, ultimately evoking a sense of effortless calm - not stillness, but utter calm - "Peaceful Place" is the type of song where the mere act of listening refreshes in the same way a deep breath of fresh air does.
PA-based indie rock outfit Sun Not Yellow has made a habit of applying their own distinct sensibilities to a wide array of styles since their 2017 inception, and their latest single "Younger Me" is a perfect microcosm of that melting pot mentality. This latest offering sees the group adding Dawes-esque folk rock to their genre grab-bag, organically touched with the idiosyncrasies that make the group stick out from a multitude of others operating in that same, heavily saturated sphere.