Robert Ellis Orrall,“Where Do We Go From Here”Fixation RecordsRelease Date: March 27, 2026 There is a specific kind of songwriter...
Ok, this track of the week is for all the people love those hot summer months, and just can’t wait...
"You Got Me Searching " is a song deeply woven into the sort of well-worn blues-rock vestments that White dons like old leather. It's breakneck pace and high-octane delivery, however, dissuade any notions of recognition from devolving into disregard, and its vintage tendencies never hinder the track's raw energy from grabbing the listener by the metaphorical throat.
Within its five minute runtime, "Phantom Island" weaves an odyssey of sonic and sensory ecstasy around a vision of topical (and tropical) madness in a way that's immediately exciting, endlessly compelling, and, ultimately, highly listenable. King Gizzard haven proven once again that there is no aural territory on which they're unable to plant their own indelible mark, and that not even the might of a full orchestra can drown out a sound that's quintessentially Gizz.
A gift to Beatles fans music lovers of all stripes, "Now and Then" is a fitting final offering from one of the most seminal bands of all time.
"Clean," a dreamy indie delight courtesy of Brooklyn-based bedroom pop artisans Pon Far (Star Trek please save your knowing looks), is a paragon of its genre.
Canadian DIY darlings Men I Trust made a name for themselves in the indie scene with their unique blend of dreamy, groove-laden pop. Oftentimes in the band's press it seems that former characteristic of their music eclipses the latter in recognition, but "Tailwhip" is proof positive that their sense for for crafting an infectious rhythm is just as keen as their knack for generating the spacious atmospheres those rhythms occupy.
Is the spirit of spring and getting in shape for displaying your hot bod on the beach this week’s Rumor...
Zee Machine’s “Thunder” is a mesmerizing masterpiece that showcases his exceptional musical prowess. The track, which fuses rock and electronic...
"Schedule I," much like its parent album, is an unadulterated expression of Norman Sann's sharp, consistently refreshing approach to the rap game. Even when tackling topics as well-documented in the genre sphere as attraction or popularity, Sann never falters in wielding language like a saber, with a keen command of wordplay refined to an acute edge.
Track of the Week: Jesus The Dinosaur, “Empty Space” Boston indie-folk quintet finds peace in the places only they can...
Ok, so here is Die Antwoord with another slammin’ track of the week Cookie Thumper, and I warn you, this...