... "Animaru" contains multitudes, being on the one hand as unpredictable and wild as its namesake would imply, and on another a carefully sonic opus.
"I Like It I Like It" is a soulful, almost sinister little helping of R&B, built on a roiling, slinky beat and a positively seductive bassline and topped with luscious, chime-like keys, plus the occasional clarion-call synth. Both singers join in reverb-drenched harmony throughout, splitting the song's two primary verses between them before ending once more in perfect tandem.
Brenda Lee's "Rockin' Around The Christmas Tree" has topped the charts for the first time, de-throning Yuletide-queen Mariah Carey's "All I Want for Christmas Is You" from its yearly spot atop Billboard's Hot 100.
Saviors ain’t just an album, folks; it’s a damn key to the twisted mindscape of Green Day. These cats have...
"Claw Foot" ... is a tightly constructed and eminently catchy exemplar of Royel Otis' sterling approach to alt-pop/rock. The song's bass-heavy rhythmic figure and chimey guitars are immediately evocative of genre paragons like Joy Division and The Cure, while it's breakneck pace and chanted chorus keep things sounding fresh and the energy high.
"Vaulted," featured on Lovina Fall's recently minted LP "Calculating the Angle of Our Descent," is a delightful amalgamation of old-school songcraft served up with a modern character.
Fuzzed-out guitar licks drip over a strutting, lascivious beat while Kane channels Marc Bolan's sultry croon in an ode on a botanically-dubbed lover, all wrapped up in a warm layer of saturation that recalls both retro recordings, and the scores of present-day tracks made to invoke that same analog aura.
Though frontman Robert Smith might protest easy categorization, The Cure are without a doubt one of the seminal gothic rock bands of all time. Pop-twinged and radio friendly hits like "Friday I'm in Love" or "Just Like Heaven" exist alongside the kind of haunting, angst-filled odes like "One Hundred Years" or "Lullaby" that helped define the goth rock phenomenon. "Alone," the legendary band's first new release in well over a decade and the lead single from their upcoming album Songs of a Lost World, sees the band return to that latter sort of peak brooding form after a considerable hiatus.
Los Angeles based band The Marias bring you a beautiful lofi-chill track “Calling You Back” that’s just dripping with elements...
Earlier this week, Vancouver-based Indie darlings Peach Pit dropped their new track "Magpie" in advance of its eagerly anticipated, similarly titled parent album. Magpie's October 25th release will be the band's most recent since 2022's From 2 to 3, with this titular single being their first musical offering since that album's "Vicky." "Magpie" sees Peach Pit - who have previously characterized their music as "chewed bubblegum pop" - coloring their trademark aesthetics with layers of rich harmonic fuzz. No pun intended.
Teaming up with Stroker Deluca Billy Botox delivers another great video for his new single Lucky Day. Known from TV...
"Josh Tillman and the Accidental Dose" is at it's core a classic-sounding chunk of tuneful, piano-and-guitar-driven melodicism, underscored by a colorful and ever-present orchestral accompaniment. The phrase "Beatlesque" immediately spills out to describe this particular union of elements, though "Accidental Dose" owes much, if not more, to later additions in that particular musical idiom the Fab Four helped to define. Tillman's soulful vocal is more Joe Cocker than McCartney, and song's almost playful arrangement recalls something that could be found on Nilsson Schmilsson as much as it does, say, "I Am The Walrus."