Los Angeles based band The Marias bring you a beautiful lofi-chill track “Calling You Back” that’s just dripping with elements...
Receiving particular acclaim following the release of 2021's album Ignorance, The Weather Station has spent the intervening years refining a particular blend of indie, folk, and jazz, through to their newly released record Humanhood. "Mirror," the album's third track and most recent single, epitomizes that style, just as its accompanying video realizes it into a wider spectrum of the senses.
"Josh Tillman and the Accidental Dose" is at it's core a classic-sounding chunk of tuneful, piano-and-guitar-driven melodicism, underscored by a colorful and ever-present orchestral accompaniment. The phrase "Beatlesque" immediately spills out to describe this particular union of elements, though "Accidental Dose" owes much, if not more, to later additions in that particular musical idiom the Fab Four helped to define. Tillman's soulful vocal is more Joe Cocker than McCartney, and song's almost playful arrangement recalls something that could be found on Nilsson Schmilsson as much as it does, say, "I Am The Walrus."
Hot off the heels of relationship controversy, some fiery back-and-forth with fans on social media, and what Vulture.com's Jennifer Zhan describes as a subsequent "mass unstanning," Doja doesn't mince words in denouncing her critics and declaring her Top-40 dominance in this brazen rebuff from her latest album, Scarlet.
Saviors ain’t just an album, folks; it’s a damn key to the twisted mindscape of Green Day. These cats have...
Earlier this week, Vancouver-based Indie darlings Peach Pit dropped their new track "Magpie" in advance of its eagerly anticipated, similarly titled parent album. Magpie's October 25th release will be the band's most recent since 2022's From 2 to 3, with this titular single being their first musical offering since that album's "Vicky." "Magpie" sees Peach Pit - who have previously characterized their music as "chewed bubblegum pop" - coloring their trademark aesthetics with layers of rich harmonic fuzz. No pun intended.
Fuzzed-out guitar licks drip over a strutting, lascivious beat while Kane channels Marc Bolan's sultry croon in an ode on a botanically-dubbed lover, all wrapped up in a warm layer of saturation that recalls both retro recordings, and the scores of present-day tracks made to invoke that same analog aura.
"I Like It I Like It" is a soulful, almost sinister little helping of R&B, built on a roiling, slinky beat and a positively seductive bassline and topped with luscious, chime-like keys, plus the occasional clarion-call synth. Both singers join in reverb-drenched harmony throughout, splitting the song's two primary verses between them before ending once more in perfect tandem.
Warm and inviting without every sounding too saccharine, "SeaStar" is a refreshing glimpse of summer sky, clouded by just the right amount of lyrical longing to balance the light with shade.
... "Animaru" contains multitudes, being on the one hand as unpredictable and wild as its namesake would imply, and on another a carefully sonic opus.
Vinyl Station the Phoenix Arizona band is back again with an introspective and delicate song dripping with soaring melodies, and...
Canadian DIY darlings Men I Trust made a name for themselves in the indie scene with their unique blend of dreamy, groove-laden pop. Oftentimes in the band's press it seems that former characteristic of their music eclipses the latter in recognition, but "Tailwhip" is proof positive that their sense for for crafting an infectious rhythm is just as keen as their knack for generating the spacious atmospheres those rhythms occupy.











